Cruz Maldonado

Opposition is a serif typeface that contain reverse contrast and has a decorative character. Taking into account its specific design, which gives rise to its unique personality. Contain ligatures and is a multi-lingual typeface which is adapt to different Latin alphabet languages.

This font contain two weights: regular and bold.

It's an ideal typeface for many types of applications in graphic design and beyond, such as websites, packaging, editorial design, titles, small texts and much more.

Love Rysma is a stylish brush font with natural movement that looks casual, stylish, and colorful. This font is perfect for kids designs, easter, baby branding, diapers, watermarks, social media posts, product design, labels, stationery, advertisements, logos & branding, designs, product packaging, special events, or anything else. requires a handwritten feel.

What's Included:

- Glyphs

- Works on PC & Mac

- Simple installation

- Can be accessed in Adobe Illustrator, Adobe Photoshop, Affinity Design.

- Fonts include multilingual support.

"Mattiass" is a hand lettered font style that perfect for greeting cards, branding, stationery design, social media,

packaging, magazine layouts, prints, logos and more! This unique font features complete lowercase alphabets and uppercase alphabets along with a few other ligatures and stylistic alternates to create a truly handwritten look and feel. Each of "Mattiass" has a variety of unique, the script with brush and rough textured and Serif with handwritten textured included coded features to create compelling, handmade outcomes. Multilingual support is included for Western European languages.and OTF is included for the full, "Mattias" font.

Almarena® Mono is a variation of the Almarena® font family. It has 2 styles (Classic & Display), 4 font weights and many alternative characters.

Kris Kringle is a bold and chunky lettered display font. Add this font to your creative ideas and notice how it will make them stand out! All caps fonts.

Chatoyer - A luxurious typeface with elegant swashes, special characters and multilingual support.

This elegant display font has a seductive, feminine appeal. It features beautiful swashes and numerous creative ligatures incl. nested or overlapping caps. The large selection of stylistic alternations and ligatures makes this font extremely versatile. Perfect for elegant projects and luxurious branding.

The Grenhil is a handmade vintage font. Inspired by modern, vintage, and retro style.

This font has 2 styles: Clean and Rough so you can use that style according to the type of project. Additionally, this font has many OpenType features so you can combine each font to be more dynamic.

Made carefully to create the perfect texture and suitable for each of your projects also great for Logotype, Branding Design, Logo Design, Digital Lettering Arts, T-Shirt/Apparel.

Please note that this family only contains uppercase letters.

Inspired by the stroke movements of brush lettering ‘Summer Display’ is an energetic family featuring high-contrast and well-proportioned letter shapes suitable for large displays and headlines.

Kianda typeface was created as a non-classic, sport logo typeface. Now it has two fonts with multilingual uppercase, numerals and punctuation. Almost every letter have 3-4 alternates, which allows you to feature stylish text for your logo. Also this typeface works good with short slogans, packaging and more.

Rialto dF is a book face inspired by calligraphic tradition. Named after the famous bridge in Venice, it was conceived as a bridge between calligraphy and typography, roman and italic. It can also be thought of as an imaginary bridge between Italy and Austria, since it is the result of collaboration started in 1995 between the Austrian Lui Karner and Venetian Giovanni de Faccio.

The letterforms of Rialto dF were drawn directly in digital format with a starting point deriving from humanistic letterforms memorized in the hearts, minds and the manual ability of its designers… As tradition demands, uppercase, numerals and punctuation are used in combination with italics – the same solution adopted by Francesco Griffo when he cut his first italic for the Virgil, the first of the octavo series printed and published in Venice by Aldus Manutius in 1501.

Rialto dF comes in two optical weights: Piccolo, for up to 14 pt, and Grande for 16pt and above. Alternate characters and various dingbats are also provided and these are available through OpenType features developed by type designer and technician Karsten Luecke.